Kim Singletary

CFP for Volume on Teaching Fashion Studies

 In recent years, courses and course units about fashion studies have become common at many colleges and universities. Fashion studies is a core part of curricula in the disciplines of American Studies, Business, Communication, History, Media Studies, Public History, Sociology, Visual Arts, and Women’s and Gender Studies. Despite the rise and expansion of courses and course […]

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CFP: “Being Human in the Workplace,” Seventh Annual Mid-America Humanities Conference for Undergraduate and Graduate Student Research

The Humanities Program at the University of Kansas invites proposals from undergraduate and graduate students for the Seventh Annual Mid-America Humanities Conference, “Being Human in the Workplace,” to be held on March 31 and April 1, 2016. This year’s theme explores what it means to be human in the workplace, and the organizers invite participants

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CFP: Special Themed Issue on James Bond: Spectre and the Daniel Craig Era

The release of Spectre (2015), the 24th James Bond film, has been accompanied by much speculation in the critical and popular media about the film. From discussions about casting and characterization to the circulation of photographs of shooting locations to conversations about the style and tone of the new Bond song, Spectre has been a

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CFP: Social Media and Human Rights

The editors of Societies Without Borders: Human Rights and the Social Sciences (SWB) – a double-blind, peer-reviewed, open-source electronic journal devoted to cutting-edge research on human rights and public goods – invite authors to submit manuscripts for a special issue on “Social Media and Human Rights.” With this special issue, the editors invite submissions that examine both

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Call for Publications: Empires, Beliefs, Emotions: Cross-Cultural Affective Histories (1400-1900)

CROMOHS is an open-access electronic journal, published by Firenze University Press. It has adopted a new format with monographic sections on challenging and fresh topics in intellectual and cultural history. The aim is to promote methodological debates arising from original and creative dialogue between scholarly traditions, as well as innovative archival inquiries. Each issue will

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